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This particular Assignment references the syllabus chosen for the subject of Audio Programme Production, for the January 2024 - July 2024 session. The code for the assignment is MJM-03 and it is often used by students who are enrolled in the PGDAPP Degree.
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1. Microphone Selection and Studio Setup:
Research and recommend suitable microphones for different recording scenarios in India. Develop a guide on setting up an audio mixer and monitoring system (Unit 2) to achieve optimal recording conditions.
2. Outdoor Recording Techniques:
Plan an outdoor recording session (Unit 4) capturing sounds from a specific Indian location. Discuss the challenges and solutions for recording in an outdoor environment. Present your detailed plan here.
3. Stereo Recording and Editing:
Explore the concepts of stereo recording and editing on audio workstations (Unit 8). Choose a specific audio workstation software and demonstrate the process of creating a stereo recording. Discuss the benefits of using workstations in the modern audio production landscape.
4. Creative Sound Design Project:
Plan and execute a creative sound design project. Incorporate various editing and mixing techniques learned in the course to produce a unique audio piece. Explain the creative decisions made during the process.
5. Spool Tape Editing Techniques:
Explore spool tape formats (Unit 6) and demonstrate editing techniques using this traditional method. Discuss the advantages and limitations of spool tape editing in the context of contemporary audio production.
1. What is an audio mixer? Discuss its use in radio broadcasting.
2. Explain any four of the following terms: (4 x 5= 20 marks)
i. Pre-production
ii. Omni-directional Microphone
iii. Transmitter
iv. Lapel Microphone
v. Acoustic Treatment
vi. Reverberation Time
3. Why is continuity an important aspect of sound recording? Explain level continuity, tone continuity and continuity of background sounds in this context.
4. Discuss about the selection and placement of microphone for Outdoor Recording.
5. Explain the following guiding principles in the use of microphones:
a. Placement
b. balance
c. Separation
d. Perspective
प्रश्न: 1. माइक्रोफ़ोन चयन और स्टूडियो सेटअप:
भारत में विभिन्न रिकॉर्डिंग परिदृश्यों के लिए उपयुक्त माइक्रोफ़ोन पर शोध करें। इष्टतम रिकॉर्डिंग स्थितियों को प्राप्त करने के लिए एक ऑडियो मिक्सर और मॉनिटरिंग सिस्टम ( यूनिट 2 ) स्थापित करने पर एक गाइड विकसित करें।
2. आउटडोर रिकॉर्डिंग तकनीक:
किसी विशिष्ट स्थान से ध्वनि कैप्चर करने के लिए एक आउटडोर रिकॉर्डिंग सत्र (यूनिट 4 ) की योजना बनाएं। बाहरी वातावरण में रिकॉर्डिंग की चुनौतियों और समाधानों पर चर्चा करें। अपनी विस्तृत योजना यहां प्रस्तुत करें।
3. स्टीरियो रिकॉर्डिंग और संपादन:
ऑडियो वर्कस्टेशन पर स्टीरियो रिकॉर्डिंग और संपादन की अवधारणाओं का अन्वेषण करें ( यूनिट 8)| कोई विशिष्ट ऑडियो वर्कस्टेशन सॉफ़्टवेयर चुनें और स्टीरियो रिकॉर्डिंग बनाने की प्रक्रिया प्रदर्शित करें। आधुनिक ऑडियो उत्पादन परिदृश्य में वर्कस्टेशन के उपयोग के लाभों पर चर्चा करें।
4. क्रिएटिव साउंड डिज़ाइन प्रोजेक्ट:
एक रचनात्मक ध्वनि डिज़ाइन प्रोजेक्ट की योजना बनाएं और उसे क्रियान्वित करें। एक अद्वितीय ऑडियो टुकड़ा तैयार करने के लिए पाठ्यक्रम में सीखी गई विभिन्न संपादन और मिश्रण तकनीकों को शामिल करें। प्रक्रिया के दौरान लिए गए रचनात्मक निर्णयों की व्याख्या करें।
5. स्पूल टेप संपादन तकनीकें:
स्पूल टेप प्रारूपों (इकाई 6) का अन्वेषण करें और इस पारंपरिक पद्धति का उपयोग करके संपादन तकनीकों का प्रदर्शन करें। समकालीन ऑडियो उत्पादन के संदर्भ में स्पूल टेप संपादन के लाभों और सीमाओं पर चर्चा करें।
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